Clyde W. Clifford was the comptroller general of LIN Broadcasting. This audio clip is a 1973 recording of the legendary radio program "Beaker Street" on KAAY radio 1090 (Little Rock, Arkansas) containing material from the band BABY featuring John Mark Camp on Rhythm Replies. While AM radio would play two or three minute blasts of pop music, Beaker Street, which was broadcast starting at midnight, broke the rules and aired lengthy album tracks to devoted listeners and insomniacs all over the mid-section of the country. Lindsey and others, there were unsure about how and what to do to promote "Beaker Street." Beaker Street with Clyde Clifford was the first underground music program broadcast regularly on a commercial AM radiostation in the central US. In the late 1970s, music sung in English was restricted by the Communist Government. Beaker Street began airing on KAAY-AM in the Fall of 1966 from Midnight to 3:00 AM. Dale Seidenschwarz, aka Clyde Clifford, was the prototype of the laid-back late-night radio DJ, known for the very long pauses in his speech. Dale Seidenschwarz, aka Clyde Clifford, is the host of Beaker Street, a weekly freeform rock radio program.. Beaker Street, which first aired on clear channel KAAY AM 1090 in Little Rock, AR, from 1966 through 1972, was the first underground music program broadcast regularly on a commercial AM radio station. Lindsey), https://en.wikipedia.org/w/index.php?title=Beaker_Street&oldid=993200840, Articles with unsourced statements from July 2008, Creative Commons Attribution-ShareAlike License, This page was last edited on 9 December 2020, at 09:23. The program was influential for radio newbies like us because it demonstrated that radio didn’t need to be formulaic or dull. Clyde Clifford - Interview with Jim Snowbarger (29:01) 135. This show presented non-mainstream programming. I actually know the man who recorded this broadcast. I occasionally airchecked KAAY and years later I was glad I did. This show presented non-mainstream programming. ( Log Out /  The purpose of this study is to examine the Beaker Street program on Little Rock's KAAY AM-1090. "Beaker Street with Clyde Clifford was the first underground music program broadcast regularly on a commercial AM radio station in the central US. "On the air: Tune into unexpected AM find in the p.m.", KAAY: The Mighty 1090 Gave Arkansas to North America", Cedar Falls Band to be Inducted into Iowa Rock & Roll Hall of Fame, KAAY Blog, hosted by former KAAY air personality Doc Holiday (aka A.J. 36th show of the Arkansas Rocks Radio Network Era. "Beaker Street with Clyde Clifford was the first underground music program broadcast regularly on a commercial AM radio station in the central US. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. Reply. The Chambers Brothers “People Get Ready”, 9. Whatever the origin, it’s obvious the original was put together using several different sources of sound. (Below is a Beaker Street aircheck compiled from 1970, before the "Head" album.) "Beaker Street," hosted by Clyde Clifford, will air from 9 p.m.-midnight today on the Arkansas Rocks network of stations. Ironically, the studio of The Point 94.1 FM is located in the same building (2400 Cottondale Lane in Little Rock, Arkansas) where Clyde Clifford broadcast the last hours of rock music programming on KAAY twenty-three years earlier. In early 1967 Beaker Street was a staple for adherents to the burgeoning underground communities in the upper Mid-West especially in Des Moines, Iowa, where it was the only access to Dr. Demento and Firesign Theatre. What I needed to match up was the ominous swirling orchestration being used as the base of the production. Clifford left Beaker Street and KAAY in 1974. The station incorporated a successful mixed format of music, religion, farm reports, and news that was innovative for the time. Beaker Street with Clyde Clifford was the first underground music program broadcast regularly on a commercial AM radio station in the central US. One example of the impact of Beaker Street can be seen in the evolution and success of the band Headstone, formed in 1969 by five students at the University of Northern Iowa. Originating in Little Rock in 1966, Beaker Street with Clyde Clifford was the first underground music program broadcast regularly on a commercial AM radio station in the central US. Clyde from Beaker Street radio program introducing songs and short commentaries. George also provided the material for "The Breakfast Serial". The popularity generated by the Beaker Street exposure allowed the band to move to bigger and better performances, and in August 2006, the band was inducted into the Iowa Rock and Roll Hall of Fame.[3]. George took thirty minute or hour broadcasts and cut them down into short episodes. These background sounds were necessary to mask the noise of the transmitter since the program originated at KAAY's transmitter location in Wrightsville, AR rather than in the station's broadcast studios in downtown Little Rock. Several Beaker Street hosts used the on-air name of Ken Knight, followed by Stuart McRae in the mid-1970s. KAAY radiated widely. However, the program was resurrected and aired again with different deejays. Beaker Street with Clyde Clifford is one of the three radio programs usually cited as the "first" free-form underground type radio program. The station's signal carried far and wide. This past New Year’s Eve, Arkansas Rocks brought Clyde Clifford out of retirement for an encore of Beaker Street, and the program was so well received that he was talked into reviving it on a regular once-a-week basis. Beaker Street showed us we didn’t have to color in-between-the-lines – that we could create new forms of radio programming. Reply. His name is Ray. Broadcasting from the transmitter site allowed a single employee, Clifford, to serve in the dual capacity of overnight broadcast engineer and as announcer. KAAY’s current format is Christian talk radio and contemporary Christian music. I am well familiar with Clyde Clifford and his wonderful Beaker Street program that originally aired for many years on KAAY. People now working in public media, who heard it back then, still talk about it today. Jaime Brockett's "The Legend of the U.S.S. Beaker Theater came from George J.Jenning's collection of old time radio shows. Beaker Street began on Little Rock, Arkansas 50,000 watt AM radio station KAAYlate in 1966 and ran thr… Stuart McRae expanded the show from the original three hours to a full five and a half hours (11:00 PM to 4:30 AM). Beaker Street begin broadcasting from its new home at The Point 94.1 FM on Sunday March 9, 2008, continuing to occupy the 7:00pm-midnight time slot on Sunday evenings. Recalling the heyday of 'Beaker Street', the powerful late-night underground radio program out of Little Rock, Arkansas (KAAY-AM the Big 1090) on Thursday's MEDICINE BALL CARAVAN on KRVS (11am-noon CST on 88.7FM locally or krvs.org).It became the bulk of … [citation needed] Beaker Street began on Little Rock, Arkansas 50,000 watt AM radio station KAAY late in 1966 and ran through 1972. Incidental Music: Head “Cannabis Sativa” Check out: Arkansas Record and CD Exchange Rock City Outfitters (Beaker Street Merch) and, when in Little … At The Edge Of The Middle (Steve Morse, Jim Beard, Randy Brecker & Percy Jones) “Every Little Thing” (From the 5 disc collection “The Prog Box”), 4. Things haven’t changed much over the decades. George was News Director and later Program Director/AM Drive team member. Every Friday night at 9 p.m., listeners log into the Arkansas Rocks website and commune with the past for three hours of some really great music. By that time, FM had taken hold, and I was now listening to “underground” radio on Radio Free Madison, WIBA-FM from Madison, Wisconsin. Aircheck of Beaker Street and Beaker Theater - 4/13/71. [1] Beaker Street attracted a legion of fans across the Midwest with its pioneering format, which featured long album cuts from rock artists who otherwise would not get commercial radio airplay outside of large cities with freeform or progressive rock stations. Change ), You are commenting using your Facebook account. “Beaker Street,” Clyde Clifford’s pioneering late-night radio show, is back on the air. When KAAY was sold and converted from a rock music to a religious format in 1985, Clyde Clifford was invited back to handle the final hours of rock music programming on March 3, 1985. Titanic"; a rambling 13-minute Titanic opus, recorded in 1969, which has the ship's captain smoking a hemp cigarette with the first mate minutes before the ship hits the iceberg. Clyde Clifford currently DJ's Beaker Street on friday nights from 9pm until 12am US central time on the Arkansas Rocks network of radio stations and internet streams. Beaker Street began on Little Rock, Arkansas 50,000 watt AM radio station KAAY late in 1966 and ran through 1972. Recorded from the airwaves sometime in 1977 based on the presence of Pink Floyd's Pigs. The program debuted on 50,000-watt AM radio station KAAY in 1966 and established itself as an underground dispatch — and as an antidote to commercial radio’s milquetoast formulas and penchants for repeating the same 100 classic rock tracks on a carousel. We have discussed Beaker Street Theater in passing. It's not but it was still very good and very early. The first is Clyde Clifford from June 1, 1972. and bong. Beaker Street pre-dated the FM radio boom of the mid-1970s and foretold the rise of album-oriented Rock and Classic rock formats. Beaker Street with Clyde Clifford was the first underground music program broadcast regularly on a commercial AM radio station in the central US. One such performance was a melancholy rendition of a Tom Paxton song, Cindy's Cryin, performed by the Little Rock band Deepwater Reunion with vocalist Barbara Raney. The Rolling Stones “2000 Light Years From Home”. For the Boomers however, this tee may cause you to fetch out your old moccasins, low rise bell bottoms. The program delivered the music of the late 1960s counterculture to the hinterland of America, to remote places where such music could not otherwise be heard over the air … Smoking and drinking with beaker street playing on the am radio. His radio program Beaker Street liberated radio from the rules of commercial broadcasting and opened the doors to spontaneity and experimentation on air. The station tried to be as mysterious as possible, at one time even running a contest for listeners to try to guess how to spell Beaker, suggesting that it was spelled in some unconventional fashion.[1]. Here's the Wikipedia description of this epic radio program. across the street at the Tasmanian Museum and Art Gallery, and a pack of wandering musicians will be on hand to make sure you find your way. my radio hero Clyde Clifford, Beaker Street and the history of KAAY 1090AM KAAY: The Mighty 1090 Gave Arkansas to North America By Stephen Koch For a few magic years, for music fans throughout a figure-eight centered in Little Rock and stretching from Canada to Cuba, one radio station was king of the nighttime airwaves: KAAY-AM, The Mighty 1090. (Dale, correct me if I have any of this wrong). What I needed to match up was the ominous swirling orchestration being used as the base of the production. The album rock program is described by Clifford as a … Originating in Little Rock in 1966, Beaker Street with Clyde Clifford was the first underground music program broadcast regularly on a commercial AM radio station in the central US. George was News Director and later Program Director/AM Drive team member. Beaker Street was revived years later with Clifford as the host and was broadcast Sunday nights on Magic 105 FM, then KKPT 94.1 FM; it ceased broadcast at midnight on February 6, 2011 but was revived again in 2020, being broadcast on the Arkansas Rocks network of classic rock stations. The Midwest's underground station. The influential program was launched as a money-saving maneuver. Among the more memorable details of this radio program were the interludes of eerie sound effects and a background of space music between songs. The strong nighttime signal of 50,000 watt, clear channel KAAY meant that it was possible to regularly listen to the station's nighttime programming in a wide area of the midwest and south. Beaker Street Art This artwork graced tee-shirts that were used by KAAY to promote the "Beaker Street" late-night, early morning radio program. KAAY also successfully brought a new musical format to mid-America on the program Beaker Street. Radio was always something that as a young person was his job, but when he was doing “Beaker Street,” that was a once-a-week program, so radio became more of a … Beaker Street April 13-1971 pt2-2014-08-14-03-40-21 (73:30) 136. Radio theater also made a comeback on Beaker Street, in half-hour or hour-long segments called Beaker Theatre; sometimes utilizing serious (and occasionally not-so serious) re-workings of old radio serial scripts, voiced by the Beaker Players; sometime playing the recordings of the comedy group Firesign Theatre, especially the "Nick Danger - Third Eye" series of skits. He hosted a one hour version of his program Beaker Street, which aired progressive rock. Disc jockeys supported alternative points of view, while playing underground music. As a result of a change in station programming format, the final Beaker Street on Magic 105 was broadcast February 17, 2008. It’s being canceled by its current broadcast home, KKPT-FM, The Point 94.1. Radio stations which had directional antennas were required to have an engineer on duty at the transmitter all the time. On May 15, the first show of the new Beaker Street aired, and the show has gotten more and more support as the weeks have passed. Fifty-four years after it debuted on KAAY-AM, “Beaker Street” is back with the Arkansas Rocks network of stations its new home. Some of the Beaker Street airchecks on this blog contain Beaker Theater episodes. There's quite a bit of static and it's nearly inaudible in some spots, but that just adds to the mystery, doesn't it? Tarter, Steve. When the program was discontinued in 1972, Clifford left. Headstone co-founder Tom Tatman characterized Beaker Street as "the ultimate Midwestern underground radio program of the day." Beaker Street began on Little Rock, Arkansas 50,000 watt AM … Because the FCC required the station to employ a studio engineer at all … Cuban radio stations were allowed to devote only about 20% of their time broadcasting music sung in English, so many young people used to listen to American radio stations as a response to that limitation, and the KAAY was one of the most popular. Anonymous March 11, 2016 at 12:33 PM. "Beaker Street Memories A few reminiscences. Change ), You are commenting using your Twitter account. Beaker Street with Clyde Clifford was the first underground music program broadcast regularly on a commercial AM radio station in the central US. Their late night program, called " Beaker Street " (and I still don't know where that name came from) and its host Clyde Clifford helped to pioneer the 'underground radio' sound of the day. The band released a 45-rpm record "You Ain't Goin' Nowhere" which attracted the attention of Clyde Clifford and was placed in regular rotation on Beaker Street. The station's signal carried far and wide. Their late night program, called " Beaker Street " (and I still don't know where that name came from) and its host Clyde Clifford helped to pioneer the 'underground radio' sound of the day. The Allman Brothers Band “Gambler’s Roll”, 3. (Below is a Beaker Street aircheck compiled from 1970, before the "Head" album.) He hosted a one hour version of his program Beaker Street, which aired progressive rock. Years later, Clyde Clifford and Beaker Street returned to the airwaves every Sunday night from 7 p.m. until midnight Central Time, first on KZLR (KZ-95) and later on Magic 105.1 FM KMJX.
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